The Winter's Tale was one of William Shakespeare's unique plays, and it's considered one of his "problem plays" mixed with severe emotional turmoil and comedy. It contrasts endings that are either tragic or happy; however, this particular rendition begins in tragedy and ends happily. It was indeed a mixture of 'genre-blending,' something Shakespearians were not accustomed to seeing in his works. From wrath to redemption to reconciliation, we see an obsessed king accuse his faithful, loyal queen of infidelity. Enraged with jealousy, he brings misery and fear upon himself and those around him as he treats anyone who doesn't agree with his madness as a betrayal of the King. However, what begins as a compelling story of heartbreak unexpectedly becomes a romantic comedy filled with song and dance, and in this production the singing and reverie go on a bit too much. This production also doesn't offer Shakespearean redemption for the King's treacherous behavior and unfounded jealousy.
Chicago Shakespeare has made an ambitious decision to stage two plays, The Winter's Tale and A Midsummer Night's Dream, with the latter opening in November. Taking on such a challenge can push performers to their limits, but when executed well, it becomes an electrifying experience. I might be showing a little bias for my love of Shakespearean tragedy, but for me, this production of The Winter's Tale feels a little more witty than tragic, with scenes that feel somewhat overextended. Parts of the play seem to go in another direction, as if it were an entirely different play—the rock band featuring sheep playing music, singing, and crawling on stage. Sure, Shakespeare's The Winter's Tale has some over-the-top, farcical moments, but this feels a little too quirky even for this play. And I never thought I would hear a Beyoncé song in a Shakespearean play—what an eccentric, unexpected blend! Witnessing Shakespeare's characters fall prey to suspicion, jealousy, and envy, and then wield the power to take vengeance, is part of the enthralling charm of his plays. The fear of retribution for daring to oppose the King's edict is timeless, and if you blink, you can see The Winter's Tale playing out in today's politics. Wittiness aside, though it leans more towards wit than wary, it's still engaging, and the cast showcases their talent and brings the characters to life. The cast, featuring captivating performances by Demetrios Troy (Leontes), Hermione (Jessica Dean Turner), Chiké Johnson (Polixenes), Camillo (Erik Hellman), and Felicia Oduh, who plays a dual role of Perdita and Mamillius, are the main characters, with Ronald L. Conner as Antigonus and Issy Van Randwyck as his wife, Paulina, equally outstanding, and Sean Fortunato (Officer and Autolycus), always a hoot on stage when playing comedic characters. Kevin Gudahl and Dan Haller bring an amusing charm and funniness to their roles as the Old Shepherd and Young Shepherd. Completing the talented cast are Grace Steckler, Patty Roache, Kieran McCabe, and Esteban Ortiz-Villacorta, each bringing their unique flair to the production.
Chicago Shakespeare's The Winter's Tale is a strong start to this brave two-play undertaking. It will be interesting to see how the second play pans out.
⭐⭐⭐ STARS
Chicago Shakespeare Theater
The Winter's Tale
By William Shakespeare
Directed by Edward Hall
October 23 - December 12, 2026
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