Men Of Soul

Under the leadership of Jackie Taylor, the Black Ensemble Theater has gained recognition for its captivating musical productions that celebrate the rich history of iconic Black singers and musicians. It greets you with the smooth sounds of soul music as you enter the theater. The soulful melodies and vibrant red lighting transport you to an unforgettable time when music truly moved the soul. Each performance not only entertains but also educates the audience about the profound impact these artists have had on music and culture. Through storytelling, performances, and soulful melodies, the theater brings to life the struggles and triumphs of these legendary figures. Written and directed by Daryl D. Brooks, BET's new artistic director, with Assistant Director Qiana McNary, who worked with Brooks on Hitt Records, MEN OF SOUL is a captivating jukebox musical, with engaging, multi-narrated biographical skits. With its electrifying energy, it is an exhilarating musical experience that will inspire audiences to sing and dance with joy during its 50th Anniversary Season—returning after 11 years to celebrate iconic legends of soul, rock, and R&B, such as Lionel Richie, Freddie Jackson, Luther Vandross, Prince, James Ingram, Tom Jones, Jeffrey Osborne, Peabo Bryson, with a heartfelt nod to legendary Bill Withers.

Brooks also features several white artists who he felt heavily integrated soul into their music, such as Joe Cocker, Tom Jones, Elton John, and Billy Joel. Considered the Blue-Eyed Soul singer, Tom Jones, whose vocal style and musical roots were influenced by R&B, definitely fits the mold; however, while I appreciate their talent, I wouldn't exactly classify Elton John, Billy Joel, and El DeBarge as models of soulful singing. Their styles have their own unique flair, but soulfulness? Either actually have that gospel, rhythm-and-blues, traditional soul sound, compared to Joe Cocker, another Men of Soul featured in the musical, who turned "With A Little Help From My Friends" into a massive, soulful anthem at Woodstock. Soul music is a popular genre that originated in the African American community during the late 1950s and early 1960s. It blends elements of gospel, rhythm and blues (R&B), and jazz. Known for its emotional vocal performances, catchy rhythms, and vibrant horn sections, soul music became a powerful expression of Black pride and played a significant role in the Civil Rights Movement.

The two-act musical, which features eleven songs in each act, confronts critical challenges, including addiction, depression, low self-esteem, and the fight against systemic racism and segregation. This inspiring movement highlights the transformative power of music, illustrating how it can uplift spirits and foster joy, even amid life's most difficult moments. Brooks highlighted that, in the midst of challenging and oppressive circumstances, Black male artists like Ray Charles emerged as powerful figures during the Jim Crow and Civil Rights Eras. This was a time when segregation loomed large, and radio blocklisting restricted their reach. Yet, against all odds, these artists embraced their culture of soul music, captivating audiences with their electrifying performances. Their contributions not only created a distinctive sound but also significantly altered the landscape of music and history, paving the way for future generations of musicians and artists. The play also features three powerful singing ladies, Raeven Carroll, Tamara Batiest, and Chloe Khaleeah Keira Johnson, who sang background and duets, as Diana Ross, Patti LaBelle, and Regina King.

The production showcases a diverse cast, including Vincent Jordan, Jaitee Thomas, Ben Woods, Dwight Neal, Kevin Pollack, Michael J. Santos, and Maxel McLoud Schingen. Among them, Thomas delivers impressive performances as Ray Charles and Bobby Womack, while Neal shines in his portrayal of Luther Vandross. Pollack, who performed with Brooks during the original Men of Soul, brings his talents to the role of Joe Cocker, and Santos captivates as Tom Jones. Schingen rounds out the ensemble with his roles as Prince and El DeBarge, contributing to the show's crowd-pleasing energy and vibrant atmosphere. Black Ensemble may not have a reputation for its acting prowess, as the narrative only briefly touches on each singer's individual struggles. However, what it might lack in acting depth, it makes up for with energetic performances. While some artists could benefit from refining their vocal techniques—resulting in moments where their singing felt less than pristine—the overall experience remains captivating and enjoyable. The energy and passion of the performances shine through, engaging the audience and creating an entertaining atmosphere. The BET musicians, featuring Robert Reddrick, Myron Cherry, Oscar Brown Jr., Walter Harrington, Adam Sherrod, and Mike Dangeroux, are always outstanding, and with another highly-talented Director, Christopher Chase Carter, who is also working on Brokeback Mountain at Chicago Shakespeare Theaterand with Brooks at Theo Ubique Cabaret Theatre's Damn Yankees, brings out the best in the cast with his incredible choreography.

Daryl Brooks is a very creative writer who seems to have only scratched the surface of the remarkable productions brewing in his mind. His ability to blend storytelling with musical elements creates a memorable theatrical experience that resonates deeply with audiences. Two things are hot in Chicago, the weather and Men Of Soul.

⭐⭐⭐1/2 STARS

Black Ensemble Theater

MEN OF SOUL

Written and Directed by Daryl D. Brooks

June 20 - August 2, 2026

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