The phrase "inherit the wind" is found in the Bible in Proverbs 11:29. It symbolizes that an individual who behaves selfishly and foolishly will ultimately gain nothing but will instead be relegated to a position of servitude within their own household.

Steppenwolf Theater's production of Noises Off may be considered an exceptional comedic farce— still, I'm not entirely convinced that it lives up to the hype as a side-splitting, must-see performance.

The stunning set design, lighting, and costumes were brought to life by the incredible work of three talented female designers, Courtney O'Neill, Raquel Adorno, and Yael Lubetzky, whose expertise truly elevated the overall theatrical experience.

I rarely start a review with such a bold statement, but Court Theatre's East Texas Hot Links, written by Eugene Lee and directed by Ron OJ Parson, is truly a standout production. With astoundingly well-performed acting, the play's powerful opening, engaging dialogue, and explosive finale make it a must-see production.

The Audience, well suited for a seasonal Drury Lane audience, featured seventeen cast members. The simple yet regal interior staging of Balmoral Castle, where the Queen had her private and political meetings, was engaging, charming, and enjoyable, largely thanks to Janet Ulrich Brooks's outstanding performance.

Let me start by saying that the musical's vocals at the Epiphany Center for the Arts in 44, The unOfficial, unSANCTIONED OBAMA MUSICAL was outstanding, with some of the most impressive singing I've ever heard from a musical ensemble.

The Last Wide Open is a beautifully crafted play that weaves a heartwarming love story with wit and charm. The narrative skillfully evokes emotions that will uplift your spirit while simultaneously moving the audience to tears.

LaSalle and McGloin's superb performance in 2 Pianos 4 Hands truly showcases their exceptional talents and piano proficiency. They captivate the audience with their instrument mastery and timely comedic wit.

The extraordinary and exceptional performance of J. Harrison Ghee as The Lady Chablis truly brought this musical to life. While the cast gave stellar performances, Ghee's charisma and charm elevated the play to a new level.

f Ain't Misbehavin' is a captivating tribute to Fats Waller's era, during the early 20th century, Harlem's Savoy Ballroom, called the "Heartbeat of Harlem" by Poet Langston Hughes,…

Bump In The Night made a daring debut with the opening of its new theatre company, featuring the timeless Greek tragedy "Medea" by Euripides. Despite the play's ancient origins, dating back to 431 BC, the new theatre company delivered a captivating performance.

The combined star power of Arzell, Banks, and Harris set the stage for a potential theater hit. When you add in the exceptional acting performances of Jabari Khaliq, who compellingly portrayed the pain of losing his mother and the frustration of moving from house to house, Kevin Tre'von Patterson's masterful portrayal of the street-wise TJ, and Joseph Anthony Byrd's immaculate and phenomenal performance as Isom, all making their Writers Theatre debut, this play undeniably deserves an extension!

Beehive The 60's Musical is 90 minutes of pure joy and an incredible music experience. The productions at Marriott Theatre are consistently exceptional, energetic, and captivating, providing a groovy, far-out, out-of-sight night and a wonderful way to spend an evening immersed in great theater.

Still, I may be the only one who sees this as just another version of the familiar storyline about a dysfunctional family, similar to what many Americans have seen in the TV show "The Conners."

The resemblance between Little Bear Ridge Road and specific plotlines from The Conners is intriguing.

The dynamic chemistry between Wai Yim and Hansel Tan on stage was incredible. Their performances were masterful, delivering charm, wit, and several moments of enthralling emotional depth that resonated with the audience. Yim is a powerful and persuasive performer, skillfully engaging the audience with his endearing personality.

The Salon is a delightful musical comedy revolving around legacy, love, and hair themes, with an incredible soundtrack of songs featuring music from icons like James Brown and Beyonce.

The Second City's improvisational comedy thrives on its ability to seamlessly engage the audience by incorporating keywords and catchphrases, bringing an element of adaptability and fluency to the performance and adding to the enjoyment of the overall experience.

I had never read the book nor watched the movie, but I was genuinely surprised by how much I was captivated by this rendition of The Kite Runner. It was an enthralling, riveting narrative.

BrightSide is pushing the boundaries with this fast-paced, dynamic musical composition, making it a challenging yet exhilarating musical for them to take on.

Experience the unexpected thrill of witnessing the captivating and energetic performance of the 'Tudor Queens' turned pop princesses.